Jetske Mijnssen, Direction
Jetske Mijnssen, born 1970, is successfully directing in opera theatres throughout Europe. Her directorial style is characterised by a psychological approach that leads to startling and gripping interpretations of opera characters and their fate. Creating emotional experiences through engaging scenes and complex personalities is the essence of her theatrical work, an approach that is deeply rooted in her careful musical reading of the scores. As Joyce Roodnat put it, the renowned Dutch critic: „She makes the music visible, she makes you sense the message in the music“.
Bringing scenic visions and music as close together as possible, is Jetse Mijnssen’s ideal. She is therefore looking out for inspiring partners both on stage and in the pit, and she has so far had the good luck to find quite a number of them: Christoph Rousset, Emmanuelle Haim, Giovanni Antonini, Raphael Pichon, Riccardo Minasi, Gianluca Capuano, Mirga Grazynite-Tyla, Alessandro de Marchi, and Oksana Lyniv.
In the current season Jetske Mijnssen has premiered Mozart’s Idomeneo in Zurich and Tchaikovski’s Jevgeni Onegin in Graz. In 2016 she directed Luigi Rossi’s Orfeo at the Opera national de Lorraine. This production was highly acclaimed and widely recognized by winning the French Grand Prix du Syndicat de la Critique. Massenet’s Werther, produced in collaboration with Ben Baur for sets and costumes in Saarbrücken, was nominated for Germany’s highly renowned DER FAUST in 2014.
Jetske Mijnssen’s list of operatic productions is quite remarkable. She directed Humperdinck’s Königskinder in Dresden, Verdi’s La traviata in Berne, Handels Almira in Hamburg and Innsbruck, Mozart’s Die Entführung aus dem Serail in Essen, Gouvy’s Der Cid in Saarbrücken, Puccini’s Madama Butterfly in Basle, Donizetti’s Don Pasquale and Ravel’s L’enfant et les sortilèges at Berlin’s Komische Oper, and Rossini’s Il barbiere di Siviglia for Opera Zuid.
For children she has staged Britten’s Der kleine Schornsteinfeger and Valtinoni’s Pinocchio at the Komische Oper Berlin, and Henze’s Pollicino at Netherland’s Nationale Reisopera.
In retrospect, the participation in a workshop by Willy Decker at La Monnaie in Bruxelles was the starting point of her career as a director in 2001. She had previously worked as a director-assistant. She was graduated at Amsterdam’s Universith with a master’s degree in Dutch literature and poetry. Specialising in opera, she subsequently studied stage-direction at the Amsterdamse Hogeschool voor de Kunsten for four years.